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The Sound of the Concerto: a Contextualist Approach to the Ontology of Music| old_uid | 44 |
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| title | The Sound of the Concerto: a Contextualist Approach to the Ontology of Music |
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| start_date | 2005/10/07 |
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| schedule | 11h-13h |
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| online | no |
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| summary | I explain why the work-performance relation has come to occupy center stage in the contemporary debate on the metaphysical status of musical works, and I present the dominant invariantist account of that relation. I then counter that invariantism is at odds with certain aesthetically important intuitions regarding the role of performative interpretation, and I defend a contextualist alternative. |
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| responsibles | <not specified> |
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